Autochromes from the early 20th century
Children and a boat on the North Sea coast, Netherlands, ca. 1925, autochrome
Early color photographs are distinguished by an extraordinary aesthetic effect: the softness of the colors makes historical images look like paintings, which preserve a unique view of the cultural diversity of humanity in time and geography.
Many photographers at the beginning of the last century enthusiastically mastered the autochrome process, the world's first color photography technology, patented by the Lumiere brothers in 1903. It was based on the use of a layer of potato starch, the grains of which were dyed in three primary colors: red, blue and green. Autochrome (Autochrome, Autochrome photo process (French: Autochrome Lumière) is the world's first color photography technology suitable for mass use. It remained the undisputed market leader from 1907 to 1935, until the advent of the first multilayer photographic materials
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. Patented by the Lumière brothers in 1903.) required a longer exposure compared to black-and-white photography, resulting in a slight blur or haze in the images. The process was accompanied by painstaking laboratory processing, but had a number of advantages over earlier technologies. In July 1914, the first color photographs appeared in National Geographic, forever changing the style of the magazine cover. By 1938, the collection of accumulated autochromes of the publication already numbered more than 12,000 photographs.
In the old color photographs that have survived to this day: historically significant events and personalities, the daily life of peoples from different corners of the earth, world landmarks and natural beauty. The color brings them closer to modern times, and their fuzzy outlines resemble pointillist paintings.
Girl leaning against a wall. Autochrome taken in France, 1919. Photographer Gustave Hein
Portrait of Elsie Toodles Thomas in a Red Hammock, ca. 1908. Autochrome, photographer Alvin Langdon Cockburn
Portrait of Christina in the Garden, England, c. 1912. Autochrome by Mervyn O'Gorman
Familiar Flowers, England, 1919. Autochrome by Emma Barton
Two Men Playing Chess, New Jersey, 1907. Autochrome by Alfred Stieglitz
Tea Party in the Garden, autochrome, ca. 1910
French Soldiers Preparing Lunch, autochrome, ca. 1910
Dock workers on the Italian battleship Caio Duilio in the port of Genoa. Autochrome, 1910s
Woman hunting, 1920s. Autochrome, photographer Friedrich Paneth
Girl with a doll in Reims, France, autochrome, 1917
Egyptian traders near temple ruins, 1920 – 1930. Autochrome, photographer Friedrich Panet
Car by Lanchester Motor Company, autochrome, 1913
Girls in the garden, ca. 1910. Autochrome, photographer Ethelreda Janet Laing
Sisters on a Balcony, ca. 1910. Autochrome by Ethelreda Janet Laing
The Shoemaker, 1912. Autochrome by Arthur E. Morton
Newspaper vendor on the street in Reims, France, 1917, autochrome
Boat under the bridge, 1910s. Autochrome, photographer Reino Pietinen
Ladies in hats, autochrome, 1907 – 1916
Elsa, Eva and Heinz (children and wife of the photographer) sitting on the wall, 1924. Autochrome, photographer Friedrich Paneth
The Photographer's Son on the Beach, 1929-1933. Autochrome by Friedrich Paneth
Newlyweds, Sweden, 1910. Autochrome by Auguste Leon
Seven Siblings on a Fence in Quebec, Canada, 1939. Autochrome by Howell Walker
Artists on the banks of the Dordogne River, France, 1925. Autochrome, photographer Jules Gervais-Courtellemont
Fakir on the banks of the Ganges in Varanasi, India, 1926. Autochrome, photographer Jules Gervais-Courtellemont
Grape pickers at the estate of Baron Langwerth von Simmern, Germany, 1928. Autochrome, photographer Wilhelm Tobien
The Holy Trinity Column (Plague Column) in Vienna, Austria, 1937. Autochrome, photographer Jules Gervais-Courtellemont
Christina on the Beach in Dorset, England, 1913. Autochrome by Mervyn O'Gorman
Reflections at the Window, 1910. Autochrome by Alphonse Van Besten
Dreams, 1909. Autochrome, photographer John Kimon Warburg
In Tampa Harbor, Florida, 1930. Autochrome, photographer Clifton R. Adams
In an Algerian Garden, 1923. Autochrome, photographer Jules Gervais-Courtellemont
Protestant Johanneskirche Church in Stuttgart, Germany, 1928. Autochrome, photographer Hans Hildenbrand
On Black Sand Beach, Hawaii, 1937. Autochrome by Richard Stuart Hewitt
Bull Riding Near Pleasanton, California, 1926. Autochrome by Charles Martin
Glacier lake in the mountains of Bavaria, Germany, 1928. Autochrome, photographer Hans Hildenbrand
In the open-air swimming pool on the banks of the Danube, Gellert Baths, 1930. Autochrome, photographer Hans Hildenbrand
In the Garden, Baden, Germany, 1928. Autochrome, photographer Wilhelm Tobien
Moulin Rouge, Paris, 1923. Autochrome, photographer Jules Gervais-Courtellemont
Actors on the lawn at Monticello, Virginia, 1928. Autochrome, photographer Jacob J. Geyer